Hannah Newman | Neural-Lithic Harvests_沙巴体育官网

Christine Weber
Wed, 10 Sep 2025 15:56:01 +0000
Sylvania

A sculptural and sound exploration of the evolving relationship between humans, nature, and AI.

Exhibition Dates: November 1, 2025 – January 27, 2026 (dates extended)

Gallery hours: Monday – Friday, 8am-4pm, select Saturdays 12-4pm (11/8, 11/22, 12/6, 12/13, 1/10, 1/17) and by appointment.

Opening Reception: Saturday, November 1, 1:00 – 4:00 p.m.

Artist Talk: Thursday, November 13, 12:00 – 1:00 p.m.

Thinking Machines: Art, Authorship and the Future in the Age of AI panel discussion:? Saturday, January 17, 12:00 – 1:00 p.m.

In a world where machines become more like humans, and humans become more like machines, what does it mean to be alive? From self-help and romantic chatbots, content generation, productivity boosters, population surveillance and more, artificial intelligence has entangled itself in every corner of life. While AI offers new pathways into the future, it also poses risks to human agency, authorship, privacy, and equity, and accelerates climate change through its growing energy demands.

In Neural-Lithic Harvests, the evolving relationship between humans, nature, and artificial intelligence takes root in a shifting terrain of sculpture, paintings, poetry, and sound. Drawing on metaphors from ecology and agriculture, the exhibition asks: what fruit will we harvest from our relationship with AI and just who is the farmer, and who is being farmed?

Hannah Newman, Machines and People, 2025, mixed media (Photo: Mario Gallucci)

Throughout the exhibition, AI-generated imagery and hand-built sculptures co-exist, probing the tension between human agency and machine creation. Anchoring the exhibition, a soundscape composed from human-written texts loops through the space, narrated by an AI voice that lends its own inflections to the words. Sculptures and paintings incorporate silicon rocks, wires, circuit boards, and surveillance cameras intermingled with organic materials, blurring the boundary between digital and natural, living and non-living, while grounding the work in the material realities of connected technologies.

Hannah Newman, Harvest is Nigh Best, 2025, mixed media sculpture (Photo: Mario Gallucci)

As we chase productivity, optimization, entertainment, and endless progress, Neural Lithic Harvests questions what we are cultivating––and to what end? What unknown harvests await us in the data fields?

This exhibition was made possible by generous support from the Regional Arts and Culture Council.?

All events are free and open to the public.?

About the Artist:

Hannah Newman is an interdisciplinary artist reuniting digital technologies and experiences with their physical, emotional, and material sources. She has exhibited with galleries and artist-run spaces across the U.S. including Oregon Contemporary in Portland OR, SOIL Gallery in Seattle WA, Outback Arthouse in Los Angeles, CA, Her Environment and The Yards Gallery in Chicago, IL and Neon Heater/Real Tinsel in Milwaukee, WI, and has been awarded grants from the Regional Arts and Culture Council and Portland State University. Newman is a co-founder of the artist collective WAVE Contemporary and a former member of Carnation Contemporary. She received a Master of Fine Arts from Oregon College of Art and Craft and a B.S in Ceramics and Fine Arts from Indiana Wesleyan University, and currently lives and works in Portland, OR. Newman believes individuals can create art, but together artists can create culture. She looks for spaces, communities and fellow artists with which to build intentional and inclusive culture.

Hannah Newman, Tree Flowers detail, 2025, mixed media sculpture (Photo: Mario Gallucci)